Modern Dance Research Paper Example | Topics and Well Written Essays - 1250 words

Modern Dance - Research Paper Example Dance is part of every society’s practice and is the barometer of livelihood in America. Dance capturers an array of aspects that include social-political issues; fundamental in the spiritual realm; preservation of culture and social interactions. The spirit of independence, taking risks, experimentation of new ideas and persistence are some of the aspect that assists in making modern dance. This form of dance has an irreplaceable touchstone and a national wealth. It is primarily occasioned because of a wide range of movement vocabularies, choreographic impulses and social-cultural issues (Martin, John, 1989). Since early 1990, during the debut of American modern dance, citizens show immense support for the dance. Consequently, United States of America exports the culture abroad by using it as an important ambassador. The dance passes from one generation to the next through a series of new works of danced. Generational rebellion against mentors induces innovation and in the process the dance is preserve. Modern dance is a continually evolving desire to understand and share the potential of human movements (Martin, John, 1989). As a result modern dance cannot take a neat definition. However, the origin of American modern dance is traced from the concepts of idealism and rebellion. Therefore, utopian notions of the liberty of the body and character, and the desire for self-expression guide the direction take by modern dance in America. American people credit the beginning of modern dance to Isadora Duncan (1877-1927). As a result of amateurish kinds of ballet spectacles and famous entertainments known to Americans, Isadora reacted against the moves (Anderson & Janet, 2004). Consequently, Duncan unleashed a natural way of movement by elevating dance to a serious form of art that expresses ideas and emotions (Duncan, Isadora, and Sheldon Cheney. 1928). Many pictures of Duncan’s dresses document her while running barefoot,

The Images of Women Used In Mass-Culture Advertising Assignment

The Images of Women Used In Mass-Culture Advertising - Assignment Example It is evidently clear from the discussion that there is a global tendency that has been emphasized by researchers – a kind of â€Å"international† practice of mass-media that is aimed at promoting consumerism ideology. Different â€Å"know-how† in the sphere of media is used to make this promotion especially effective. Globalization process is thought to be interconnected with consumerism. Apart from satisfying certain needs of humans, goods and services are included into the social and cultural sphere of people’s lives and acquire social meaning. The research of consumer behavior showed that consumption is more than the act of satisfying needs – in fact, it is the production of symbols as well. For example, we buy luxurious flats, brand-new models of cars, or modern clothes so that to send the message to people around us: â€Å"I am up-to-date and with huge income†; therefore by the very act of buying (i.e. consuming) we aim at providing cer tain information about ourselves. As Domzal and Kernan have it: The way people dress and otherwise adorn their bodies identifies them. It tells observers who people are (a young person, an executive, a gang member, a preppy) and what they are (adventuresome, sophisticated, anarchic). Advertisements and commercials, and, as a result, images of people that they show are crucial for developing among the citizen's certain models of behavior and making people follow certain consumption models. Mostly the images of women used in mass-culture advertising are characterized by certain standards, and their ultimate goal is to make people consume more goods. Mass society cultivates money, material wealth and physical beauty as ideals of paramount importance, with personal interests and those of country becoming secondary.

Potential For Water Supply Essay Example for Free

Potential For Water Supply Essay According to the International Water Management Institute environmental research organisation global water stress is increasing, and a third of all people face some sort of water scarcity. Where demand exceeds supply and no effective management operates, there will be conflicts between the various players involved. In addition, global climate change will exacerbate these challenges faced by countries and populations. Shifting precipitation patterns threaten to reduce water availability in some regions while inflicting stronger storms on others, increasing both potential droughts and floods. This may increase the frequency of more serious conflicts and result in ‘water wars’. Meeting the world’s growing water needs will require far more effective use of available resources. By combining appropriate technology, strategic management and involving all the players water conflicts can be avoided. The Nile river exemplifies an International dispute with the source of the conflict being the water supply. Egypt who have a historical right to The Nile are highly dependent on its waters, which are required for agricultural purposes with the waters being a necessity to irrigate the arable land. Many countries in the Nile basin depend heavily on the Nile, with Egypt depending on the Nile for 97% of its renewable water resource. Consequently, The Nile is essential to the food and water security in all of the countries that lie within the Nile river basin. With so many countries being reliant on one single water source it is no surprise that this water supply has increased tensions in the area and that there is a huge potential for it to cause conflict. Ethiopia’s tributaries supply roughly 86% of the Nile however as a result of the Entebbe Agreement Ethiopia and other upstream countries have begun to divert water for new dam projects that would provide hydro-electric power and irrigation networks. These developments upstream have led to threats from Egypt, who are extremely protective over their decreasing share of the Niles water supply. However in order to secure their  supply they must engage in peaceful negotiations as violence would only jeapordise their share of the supply. Thus the potential for water conflict is there as tensions continue to increase between upstream and downstream nations, and perhaps overtime as the downstream nations share of the supply is further squeezed, these tensions are likely to result in conflict. Conflict can also occur within a country, for example the states situated within the Colorado river basin have been constantly squabbling over who owns the water supply and who should be allocated the most water. In the 1920s the ‘Law of the River’ established the division of water amongst the upper basin states, it also defined their responsibility to supply water to the lower basin states. This division had been based on an estimated annual flow of 21 billion m3/yr in 1920, however this was a time of above normal flows, recent studies have indicated that long term average flows are around 18 billion m3/yr. The deficit between the flow and the allocation has become more apparent as the population in the clorado basin states continues to rise. As a result of this deficit tensions are rising between the states, California receives a large percentage of the water as a result of its large population and political power even though the river does not directly flow through it. This has heightened tensions with the states who are experiencing severe water shortages who actually have a grater claim to the river than California. Although the city dwellers may be losing out as they are having to share their water with other states, farmers are profiting as they claimed the land first and thus the majority of water, 80%, lies with them. The Colorado river has not only caused internal disputes but also international disputes, causing there to be the potential for conflict with Mexico. The reason being that the Colorado river is that the basin states are so dependent on the water that the river supplies that it no longer reaches the sea, 90% of the water has been extracted before it reaches Mexico. The delta has decreased in size as a result of the extraction and the large dams put in place along the river such as the Hoover Dam. This did increase political tensions between the two nations and there was a strong potential for the supply of the Colorado river to become a source of  Conflict between the two countries, however in 2012 an amendment was made to the ‘Law of the River’ entitled ‘Minute 319’ which gave Mexico a grater allocation of the water supply. This is an example of how there can be a potential for conflict yet an agreement can be reached to prevent it. Nonetheless there is still a potential for new disputes among the Colorado river, this is less likely to occur internationally on the US-Mexico border as a result of the recent amendment, however at the artificial border drawn at Lees Ferry, between the upper and lower basin states. Aside from the strain put on the supply by a growing population, the upper basin has a small surplus that it is using to develop its economy. However at the same time water shortages in the lower basin could limit the potential for economic growth in the lower basin and thus their remains a potential for the water supply to cause conflict in the future.

The Country Development: Nepal

The Country Development: Nepal Shangri-La, the Kingdom of the Himalayas, Gateway to Everest. Few places on Earth are as idealized in the West as Nepal. Upon arriving in the ancient capital of Kathmandu, Nepal is very likely to take your breath away. But this would be the smog fumes mixing with the chemical smell of city-urchins snorting glue, and not the view of the mountains. Particularly since the Himalayas have not been visible from the Kathmandu Valley for decades. Wiping away the rose hued glaze of applied mystique , the Nepal that remains is one that grapples daily (beginning at five am, an hour after the street dogs cease baying and an hour before the autorickshaws begin coughing) with a headlong rush into the modern world whilst trying to actually develop along the way. Nepal is running away from its past with great determination and no destination. From 1996 to 2006 this running was often done at gunpoint. In February of 1996, Maoist rebels launched an armed struggle to replace Nepals constitutional monarchy with a communist republic. Given Nepals endemic Royal corruption, caste and ethnic discrimination, deep rural poverty , and a near total concentration of power and wealth in the Valley, the Maoists call to rewrite the nation resonated across the plains, the hills and the mountaintops, affecting all segments of the Nepali population. By the time that decade had run its course, 300 years of Nepalese monarchy was abolished and a Communist dominated parliamentary system was established. The Maoists introduced, often under duress, a multitude of measures aimed at addressing centuries-old, deeply-rooted forms of discrimination. The long standing feudal-caste system was dismantled and in parallel, a representative form of governance was introduced. Th e Maoist period also brought great social change as an embracing of ones ethnic identity was encouraged. For the first time in millennia, gender roles were questioned as the insurgency actively promoted female involvement on the frontlines. A closer look at the Maoists social oratory of hope and glory reveals, as is often the case, that all is not well for social development in Nepal. After the cessation of major violence in late 2006, poverty mitigation programs became a center talking point in all the newly-established political parties agendas. However, in harmony with most agenda goals in the Nepalese parliament, the key authorities stopped short of the necessary strong monetary commitment to both implement and monitor these programs. The social investment policy neglects the development of human capital by passing up the chance to create opportunities for future social development. Considering the poor to non-existent results from both targeted regional programs and broad national endeavors, thus far all available data supports the assertion that government social policy has thus far failed to increase economic opportunities for Nepals poor. Another integral and highly divisive socioeconomic issue that remains unso lved is the expansion of employment programs, including the incorporation of former insurgent combatants into the military. Lastly, Kathmandu has been tepid at the best of times in including conflict-ravaged populations into social and economic life. The question remains however, as to the state of the economy they are being reintroduced to. Even the most rudimentary grasp of numbers allows an observer to comprehend the principle issue of the Nepali economy. Agriculture. It has been the mainstay of the economy for millennia, and is now fatally out of step with the demands of the 21st century. Agriculture provides livelihood to approximately 80% of the population and accounts for almost half of the countrys Gross Domestic Product (GDP). Geography has not been kind to the idea of farming , and only 16 percent of the total land is arable. While agriculture employs more than two thirds of the people and takes up almost half of the GDP, Nepal has the lowest per capita arable land in the world. Food production in almost entirely confined in the south, in the narrow belt of what was once jungle and is now flatlands that borders India known as the Terai. Cultivation in more mountainous regions (which is to say the other 84% of Nepal) is mostly for subsistence. The fifth five-year plan, beginning in 1975 was the first in which agriculture beyond preventing starvation was given top priority. In order to increase agricultural production and diversify the farm base, the government began to focus on improving irrigation facilities, providing credit to and encouraging farmer to use imported, high yielding varieties of seeds, fertilizers, insecticides and pesticides, etc. However the complete lack of a transportation system designed to move quantities of food (or anything else for that matter) stymied the government efforts. Nepal also suffered near-catastrophic environmental collapse in the 1980s due to the absence of the requisite training in the aforementioned chemicals. The net result of these actions was that crop production grew at a dismal rate of 2.4%, failing to keep pace with the population growth rate, which began at 2.6% per annum. The degradation and divergence would not be correct in the years before civil war broke out and only began being redressed in late 2008. In addition to agriculture, Nepal has a very limited industrial base that constitutes 20 per cent of the GDP. Most of those industries are agro-based industries like rice and tea. The majority of Nepals fledgling industrial base is dependent on imported raw materials, primarily from India. These manufactured goods are almost entirely small scale, local cottage industries. In Nepal, the term capital goods is quite literal, as whatever intermediate or capital goods are produced are locked up (quite literally) on the eastern plains of the Terai or in Kathmandu. However, Kathmandu is only the capital as long Nepal remains both a nation and a state, and given the political climate that threatens to wash away both of those concepts, a closer look at the Nepali government is warranted. Politically, post-Maoist Nepal is defined by the fact that it is dependably unreliable. Indeed, Transparency International ranks Nepal 153th out of 180 in the organizations most recent Corruption Perception Index. This is reflected in the difficulties Nepal has had in writing a constitution. After establishing an interim constitution in 2007, the Constituent Assembly (CA) was slated to draft a permanent constitution within in a year. In late May of 2012, the CA was dissolved having extended the constitution writing deadline four times without a constitution being written. The country is now cast into even deeper political and legal uncertainty. By May of 2012, after squandering half a decade, the four major parties had come together in compromise on almost all issues. The issue that sent fissures through the CA and ultimately broke the government was whether or not the country should be divided into federal states along ethnic lines, as opposed to the 14 administrative zones, done fo r purely bureaucratic reasons that presently exist. Baburam Bhattarai , the current prime minister, has called for a new CA to be elected on November 22nd 2012. Effectively, this election stands to be a vote on the polarizing and highly volatile issue of ethnic federalism. Much of this uncertainty stems from the fact that in the span of 20 years, Nepal has gone from centuries of absolute monarchy, to a parliamentary monarchy, to anarchic civil war followed then by a tottering federal republic. Gazing across the myriad of social, economic and political concerns that shroud Nepal in cynicism, it is easy, far too easy, to not know what needs to be rectified first. The paramount concerns for Nepal are the development and sustaining of transportation infrastructure and power systems. From these two, all else flows. The significance of the ability to move and the power needed to provide that mobility is impossible to overstate. According to the World Bank, the ratio of Nepals road area to population and total area is one of the lowest in the world. While large trucks clog all three of Nepals paved highways, they invariably have one of three destinations: Kathmandu, India or to a lesser extent, China. For the vast majority of the country, the most commonly used method of transportation is by porters with pack animals. It is almost blindingly simple, but it cannot be stressed enough, tourists, locals, potatoes, rice, bottled water, generators, medicines, troops , ideas, chickens, bricks, pipes, computers, aid workers, anything that can be used for development must first get to its location. As mentioned previously, Nepal has only three highways, constituting almost 90% of the countrys paved roads. The highway system (a word used in the most generous of terms) should be domestic infrastructure but is in fact anything but. The southern highway was built with Indian rupees for Indian gain, the northern highway b uilt with Chinese renminbi for China to be able to drive tanks through Nepal should it need to invade India (its commonly nicknamed the two tank road among Nepalis) and the middle highway was constructed between Kathmandu and the tourist city of Pokhara, making it the only highway with both its terminus in-country It is important to note that all three of these highways, are by curse of topography, narrow two lane constructions. What this means in practical terms is that Maoist strikes, known as bandh are a powerful flexing of political power, affecting millions and causing massive disruptions to development. A key component of a bandh is closing the highway (used in the singular in Nepal), a task lacking in logistic difficulties and ways of circumventing it. The lack of transportation systems breeds political uncertainty, and discourages economic invests both foreign and domestic. Intertwined with problems of movement is the issue of how to power that movement. Nepal is a nation left in the dark. Power generation, primarily electrical is the bedrock of development that must be established in tandem with transportation if Nepal is to have any chance of a brighter tomorrow. It is important to note that 63 percent of Nepalese households lack access to electricity and depend on expensive oil-based generators or simple forgo power altogether. Unlike Nepals lack of arable land, the country is not deficient in economically exploitable hydroelectric power. The mighty Himalayan mountains flow into thousands of equally mighty rivers. However, the hydroelectric potential of Nepal is rivaled only by its lack of hydroelectric power. According to USAID, the currently exploitable power stands at 83,000 megawatts (MW), but only 650MW have been developed. Nepal has but one all-season hydroelectric plant, with the ability to store energy generated during the summer monsoon for use during the rest of the year. This is of monumental importance as the other hyd roelectric stations are at the mercy of water levels. With winter being the sun-lacking dry season, it is at precisely the time when demand for lighting and heating is highest that power cuts are at their most crippling. Across the country, winter time power cuts are routinely 10-14 hours a day but can be for as long as 16 hours, with 18 hours being relatively uncommon. Lastly, this electrical rationing is called load shedding and is intimately connected with the countrys political corruption. Allegations of mismanagement concerning the electricity crisis, enforced by 16 hours without power a day, have been launched at all levels of the Nepal Electricity Authority. Because a considerable amount of electricity has been sold to India and China, because partnership deals with foreign investors have been signed and then ignored for over a decade, because the country burns in the summer and freezes in the winter, the NEA has been accused of widespread corruption and misappropriation of f inances. In summary, it is perhaps an adage from antiquity that encapsulates Nepali development best. Festina lente. Make haste, slowly. The confluence of urgency tempered by diligence and deliberation catalyzed by the needs of the people is what will ultimately allow Nepalis from all walks of life to feel as the tourists do, amazed at how truly wonderful the roof of the world is.

Dramatic Monologues Essay -- essays papers

Dramatic Monologues The dramatic monologue features a speaker talking to a silent listener about a dramatic event or experience. The use of this technique affords the reader an intimate knowledge of the speaker's changing thoughts and feelings. In a sense, the poet brings the reader inside the mind of the speaker. (Glenn Everett online) Like a sculpturer pressing clay to form a man, a writer can create a persona with words. Every stroke of his hand becomes his or her own style, slowly creating this stone image. A dramatic monologue is an ideal opportunity for a poet to unveil a character. A dramatic monologue is a species of lyric poem in which the speaker is a persona created by the poet; the speaker's character is revealed unintentionally through his or her attitudes in the dramatic situation. This persona must be identified, but not named. He or she can be a real person, an imaginary character, an historical or literary figure; in essence, anyone except the poet or a neutral voice. The writer does this through various techniques within a dramatic monologue by using mood, diction and imagery to mold the character before the reader's eyes. Firstly, by creating a certain mood, the writer attempts to give his or her reader a particular feeling. This, in turn, reveals new insight to a side of the character that the reader has yet to discover. In William Butler Yeats' poem, An Irish Airman Foresees His Death, Yeats adds a very distinct mood to the clay that creates this airman. This man, who very obviously sees no meaning in either his life or his death, speaks carelessly about his non existent self-worth. This creates a dark and depressing atmosphere for the reader. In the finishing lines of this poem, Yeats writes... ... and Atwood manipulate to achieve a similar goal: the unveiling of their character. In much the same way that a sculptor molds clay, the writer uses mood, diction and imagery to shape its characters. Through a dramatic monologue the poet allows the reader to not only envision the characters in their physical forms, but feels their pain, celebrates their triumphs and journeys with them throughout their various dramatic experiences.  Works Cited Atwood, Margeret. Journals of Susanna Moodie Macmillan of Canada, 1980. Johnson, Pauline. Flint and Feather McCelland and Stewart, 1972. Kennedy, Ronald. The Yeats Reader Dundurn, 1968. Landy, Alice, Martin, Dave. The Heath Introduction to Literature Canadian Edition, Heath and Company, 1980. http://www.stg.brown.edu/projects/hypertext/landow/victorian/rb/dm1.html http://www.uvic/writersguide/eng/dramatic.mono.com

The Importance of Global Awareness Essay -- Politics Political Essays

The Importance of Global Awareness   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   The United States has been considered a leader in the global world of awareness since the beginning of the Monroe Doctrine in 1823. It is the one country that has influenced international economics, world politics. As a college student, I have become aware that most of my classmates and friends are not concerned about foreign affairs. Americans, especially college students need to know what is going on around them. It is a vital part of our promising future that we understand the importance of global awareness. A rising controversial question that I have noticed as a student is: why is the United States considered a leading global power when we have so many problems of our own? How did we gain such a prestigious title? This â€Å"world leader† title is inconsistent because people, especially youths and college students don’t care about what is happening around the world. That is the most horrific problem of all. Apathy is worse than hate and ignorance because Americans don’t want to know and don’t care to understand about foreign affairs.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   There are many solutions to apathy and ignorance. The combination of â€Å"realists† and â€Å"idealists† play a central role in giving democracy the vitality and appeal it enjoys around the world today. The promotion of democracy worldwide advances the national security of the United States. It promotes national security by arguing that such policy makes for better relations with other people Hence this satisfies realist demand that the country thinks of its interests which are defined in terms of the international organization of power (Smith 224).   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Another solution dealing with apathy and ignorance is involving students in the Globa... ...ople around the world. Similar nations look up to us as a model for supporting, governing, and entertaining for their lifestyles and cultures. To solve our socio- economic problems, it is necessary that we look back at our following countries and learn from them. Works Cited Issues and Studies: A Monthly Journal of Communist Problems and World Affairs. Multipolarity: Myth or Reality? Ray C. Hillam Visiting Professor. Department of Political Science. National Taiwan University Volume X August 1974 Number 11 pages 2-24 Foreign Affairs The Rise of the Virtual State Richard Rosecrance Professor of Political Science and Director of the Center for International Relations at the University of California, Los Angeles Volume 75 July and August 1996 Number 4 Global Awareness Homepage New Twentieth Century Fund Book â€Å"America’s Mission† Tony Smith pages 218-233

“Because I Could Not Stop for Death”: An Analysis of Emily Dickinson’s Style

Emily Dickinson was an exceedingly eccentric poet of the Romanticism movement, whose fascination with death and the afterlife is embodied in her poem â€Å"Because I Could Not Stop for Death. † The piece opens from the viewpoint of a female speaker, who is called upon by the personified character of Death to take the journey to the afterlife. It is evident that the poet’s troubled life and disillusionment with society spurred many deep and insightful works about her perspective on her own existence. Dickinson effectively uses the tools of personification and imagery to portray a soul’s odyssey through death. Using subtle symbolism and by personifying Death as a suitor in her poem â€Å"Because I Could Not Stop for Death,† Dickinson paints an image of her concept of the final departure based on her own personal experiences. Emily Dickinson was born to a middle-class family on December 10, 1830 in Amherst, Massachusetts. Her father was a Yale-graduate, chief financial officer, lawyer, congressman, and an intellectual; he was not very involved in Dickinson’s life, albeit serving as her inspiration (Spiller 810). On the other hand, she did not get along with her mother: â€Å"Emily Norcross was not an intellectual by nature- she barely understood much of her daughter’s poetry†¦ the mother was lonely and nonliterary,† (Forman n. p. ). Forman also states that Dickinson was frustrated that her educational horizons were limited as a woman, although she attended the esteemed Mount Holyoke Female Seminary (Emily n. p. ). Furthermore, her education was terminated due to her lifelong health complications resulting from polio. Her family consistently failed to support her, and she felt fettered by the life she was living. Around the age of 28, Dickinson suffered from an emotional crisis which caused her to write prolifically; she drew into herself and her profound mind, preferring to express herself mainly through letters and poems (Blake n. p. ). Throughout the course of her life, Dickinson exhibited many strange tendencies. She always dressed in white and remained a recluse. She refused to leave her home for any reason (Forman n. p. ). This was the direct result of her experiencing the death of two childhood friends, as well her chronic health issues; Dickinson often felt disconnected to the world around her. She was inspired by a world manifesting itself as unpredictable, violent, and terrifying. She had suspected that the world was defective for some time† (Blake 218). Her perspective on her life, as well as her disillusionment from her surroundings, became reflected in her poems. â€Å"[Her] work†¦should be seen in terms of traditions of withdrawal from the world and of her resistance to them†(Wolosky n. p. ). Most notably during this phase in her life, however, Dickinson developed an occupation with the concept of death and the possibility of an afterlife. Many of her poems have come to embody her personal contemplations about mortality and death, particularly â€Å"Because I Could Not Stop for Death,† (Explanation n. p. ). Primarily in this work, Dickinson effectively uses the character of Death to convey the message that death is not a cruel, cold process. â€Å"Death is personified, or described in terms of human characteristics†¦. Figuratively, this poem is about one woman’s ‘date’ with death. Death is a gentleman,†¦ who makes a call at a home of a naive young woman. †(Explanation n. p. ). By representing mortality as a kind, courteous suitor whom the narrator seems to have been anticipating, the notion arises that Death is nothing but an old friend who was always expected to come. It becomes an inevitability; it is not unpleasant in the least. Dickinson envisions Death as a person she knows and trusts: The carriage holds but the two of them, yet the ride, as she states with quiet emphasis, is a last ride together. Clearly there has been no deception on his part. †¦ Indeed, his graciousness in taking time to stop for her at hat point and on that day in her life when she was so busy she could not possibly have taken time to stop for him, is a mark of special politeness. She is therefore quite willing to put aside her work (Johnson 222). The narrator welcomes Death, and although he was an unexpected caller, knows that he was bound to come. Thus, she â€Å"had put away/ [Her] labor, and [her] leisure too,/ For his civility† (Dickinson 1). Dickinson also effica ciously uses symbolism in this poem to bring out various feelings and emotions in the reader, strengthening the overall mood, and therefore the meaning of the poem. By her use of specific syntax and diction, the poem is able to showcase the exact feelings evoked by death and immortality, as well as the feelings associated with the unconventional exposure to Death himself. In the poem â€Å"Because I Could Not Stop for Death†, the narrator’s journey was described as a slow scenic drive, across the fields of grain and past the setting sun (explanation, n. p. ). The fields of grain represents society and how while alive, the fields of grain escaped the notice of the narrator, but now, while traveling with Death, she finally can appreciate the true beauty and power of nature. The setting sun reflects the end of one journey and the beginning of another, just like how the setting sun ends the day and signals the start of nighttime (explanation, n. p. ). Dickinson uses the transition of the setting sun to show the narrator’s transition from life to death. Dickinson was able to portray, through her extensive use of imagery, the ambiguity as to whether the narrator is alive or dead; the fact is not directly stated in the poem. Rather, there is a slow transition of the narrator’s state of being. The narrator starts off leaving the comfort of her house, invited for what feels like a ride in the park. However, as the poem progresses, the narrator is seen growing cold, and her clothes fade â€Å"only tippet only tulle†. The light gossamer articles of clothing and the coldness suggest that the narrator has indeed died, and faded into the afterlife. The whole concept of time is also manipulated to give the poem such a dream-like feel. During her journey with Death, time slows down to a point where it doesn’t exist; time is a human creation, and death does not follow time (Priddy, n. p. As she passes the children frolicking in the playground, she vicariously lives through her childhood again; another lifetime has passed, from the youthful days of childhood to the ripening of the grain to the setting of the sun (Johnson, n. p. ). The- sense of time being inconsistent and changing allows the journey with Death to gain a truly surreal and abstract feeling. From start to finish, Dickinson masterfully creates a striking image of the human process of death, putting to full use the tools of personification and imagery, as well as subtle symbolism in her poem â€Å"Because I Could Not Stop for Death. Her own personal struggles with the concept of death give Dickinson the ability to capture the mystery and possibilities of the final departure with words; she was able to translate the true emotions associated with death into poetry. To Dickinson, the existence of an afterlife made death not only the end of one journey, but also the start of another; death is not an evil, but rather a necessary process. The net effect of literary devices combined with Romanticist beliefs results in a work that provides monumental insight into the world Emily Dickinson built around herself, specifically pertaining to her image of Death .