An Experiment in Independence PART TWO.

An Experiment in Independence PART TWO. Happy Friday! Its now about halfway through IAP, Independent Activities Period, Period of Independence and Activity-Doing! Ive lived here in Maryland for about two weeks now, all by myself, working this NASA internship, and I must say its been quite an adventure. Ive settled into a schedule here, working a nine-to-five job, and learning a lotI definitely know a lot more about stepper motors, C, and MATLAB than I did two weeks ago. Its awesome. Nevertheless, you do get a little bored living by yourself, so I decided to try out something new tonight while making dinner. And that was to film it. On video. And put it on the internet. Whether that means that Im very shameless or just very stupid remains to be seen. Maybe I need more people to talk to. In any case, that video is now online and below for your general reference and watching amusement, because I basically have zero kitchen skills whatsoever. I also have no video editing software whatsoever and filmed this on a handheld cell phone, so I apologize in advance for any bad videography/sound quality/general sloppiness. Its my first time. Please dont judge me too hard? :) EDIT. Ive received some feedback about people related to some of the things I mentioned in the video who stated they were uncomfortable with it being online. I sincerely apologize for any discomfort Ive caused anyone, and Ive removed the video for that reason. Sorry for the inconvenience! Please check out the picture of dinner below and the links, and I hope to be back with more videos in the future :) Heres the final dinner sitting in front of me right now! And trust me, its delicious. Maybe more so because cooking dinner myself makes me about ten times hungrier. And here are some links to things I mentioned in the video! All about the James Webb Space Telescope, the successor to Hubble Dryden Flight Research Center being renamed after Neil Armstrong Concurrent Engineering and the Instrument Design Lab The Gym Workout Routine Without A Gym (from r/bodyweightfitness) Definitely let me know what you guys thought about the video. Good? Bad? Positively horrible? Waaaaay too long? (I feel youI definitely got a little carried away there. Time flies when youre talking to a camera, I guess.) Should I do it again? You decide! And if you have any cooking tips/suggestions/lifehacks/ways-to-not-be-clueless-in-a-kitchen, leave those below in the comments and Id be eternally grateful :) Yours, Allan

Aliphatic Hydrocarbon - Chemistry Definition

An aliphatic compound is a hydrocarbon compound containing carbon and hydrogen joined together in straight chains, branched trains or non-aromatic rings. Aliphatic compounds may be saturated (e.g., hexane and other alkanes) or unsaturated (e.g., hexene and other alkenes, as well as alkynes). The simplest aliphatic hydrocarbon is methane, CH4. In addition to hydrogen, other elements may be bound to the carbon atoms in the chain, including oxygen, nitrogen, chlorine, and sulfur. Most aliphatic hydrocarbons are flammable. Also Known As: aliphatic compound Examples of Aliphatic Hydrocarbons:Â  ethylene, isooctane, acetylene List of Aliphatic Compounds Here is a list of aliphatic compounds, ordered according to the number of carbon atoms they contain. Number of Carbons Aliphatic Hydrocarbons 1 methane 2 ethane, ethene, ethyne 3 propane, propene, propyne, cyclopropane 4 butane, methylpropane, cyclobutene 5 pentane, dimethylpropane, cyclopentene 6 hexane, cyclohexane, cyclohexene 7 heptane, cyclohexane, cyclohexene 8 octane, cyclooctane, cyclooctene

Project Risk Management Of Information Technology

PROJECT RISK MANAGEMENT IN INFORMATION TECHNOLOGY By POURUSPA ANKLESARIA 18154704 Executive Summary This report revolves around the risks in Information Systems Project and also gives a brief idea on Information technology project management. The project also shows and discusses the importance and the role of project manager in making the project a success. Risk and how to deal with it, risk management using Work Breakdown Structure 1.0 Introduction This report aims to discuss risks and difficulties faced in Information Technology projects during its development stage and also how to avoid these risks in Information Technology projects. Improving project management remains a primary concern for managers. Successful projects in Information Systems and Technology enables organizations to develop a powerful supply network and improve the capability of operations management (Liu 2015). An important part of risk management is to focus on analysing vulnerabilities and threats to the information resources and deciding what counter measures should be taken to reduce risk (Feng, Wang and Li 2014). Potential risks cover a wide range of areas like operational and financial risks, to less tangible risks referred to as internal non-technical risks, organisational risks or personnel risks (Becker and Smidt 2015). 1.1 Scope of the Literature Review TABLE 1 SHOWS THE KEY TERMS,Show MoreRelatedStages Of The Software Development Life Cycle Essay1519 Words   |  7 Pagesrequirements are analyzed. Problem to be solved by the system is identified and the steps to be followed are put in place. It is one of the most critical step because failure to understand user requirements may lead to delivery of a totally different project. 2. 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Richard III Free Essays

Analysis of Richard III Passage Methoughts that I had broken from the Tower And was embarked to traverse to Burgundy, And in my company my brother Gloucester, Who from my cabin tempted me to walk Upon the hatches. Thence we looked toward England And cited up a 1000 fearful times, During the wars of York and Lancaster That had befall’n us. As we paced along Upon the dizzy terms of the hatches, Methought that Gloucester stumbled, and in falling Struck me, that thought to remain him, overboard Into the toppling surges of the chief. We will write a custom essay sample on Richard III or any similar topic only for you Order Now O Lord, methought what hurting it was to submerge, What awful noise of Waterss in my ears, What sights of ugly decease within my eyes. Methoughts I saw a 1000 fearful wracks, A thousand work forces that fishes gnawed upon, Wedges of gold, great ground tackles, tonss of pearl, Incomputable rocks, unappreciated gems, All scattered in the underside of the sea. Some ballad in dead work forces ‘s skulls, and in the holes Where eyes did one time inhabit, there were crept— As ’twere in contempt of eyes—reflecting treasures, That wooed the slimed underside of the deep And mocked the dead castanetss that lay scattered by. ( I: IV:9-33 ) Clarence ‘s prophetic dream sequence in Act I scene Four Begins and ends with premonition, as we see the slaying of Clarence and besides visualize the eerie and supernatural glance of an underworld beneath the ocean as we see Clarence distressingly drown. The transition begins with Richard and Clarence puting canvas to Burgundy, reminiscing on the horrors of the conflicts they had won and lost together throughout the war of the roses. As their ship begins to destabilize, Clarence is cast overboard after seeking to forestall Richard from falling. The text leads us to believe this is inadvertent despite logic stating us to instantly presume this was planned by Richard. As Clarence distressingly drowns, he begins to depict the dark, supernatural underbelly of the ocean. Multitudes of lost wealth and hoarded wealth are seen alongside decomposing cadavers and the liquors of 1000s of work forces, work forces whose deceases, it has been suggested, Clarence was partially responsible fo r as a consequence of the recent overthrow of the monarchy. Clarence ‘s dream sequence is laced with both dramatic linguistic communication and baleful boding throughout. An array of poetic devices and literary techniques are employed to successfully reenforce major issues and subjects of the drama as a whole within this transition. Numerous subjects are reinforced and introduced in this transition such as the apposition of earthly wealth and human mortality, the upseting trust that Clarence has for Richard, horror and calamity, and besides the motive of the dark and the supernatural. Furthermore if we read the transition from a modern position we can integrate a Freudian reading when analyzing what seems to be Clarence ‘s subconscious head. Whilst watching Richard III, the character of Richard is hard to side with nevertheless at the same clip there is a certain appeal and inventiveness about him that is difficult to dislike. There are cases throughout the drama which help to demo Richard as a antic linguist and a sympathetic Machiavellian hero. However, at the same clip the dramatic sarcasm used in the signifier of Clarence ‘s weakness and naivete is perchance the most powerful illustration throughout the full drama which shows the cold and evil inner nucleus of Richard ‘s character. When Clarence dreams of Richard killing him, the text seems to propose that Richard did this by accident as Clarence says that Richard â€Å"in falling, Struck me, that thought to remain him, overboard.† [ [ 1 ] ] The manner Clarence has made a point of stating how Richard merely pushed him â€Å"in falling† is interesting as it makes us oppugn the dependability of Clarence ‘s history. This dramatic sarcasm plants because from an audience ‘s position we are already cognizant of the dark nature and pitilessness of Richard, moreover we know that Richard is in the procedure of engineering the slaying of his brother Clarence. These factors make us oppugn the â€Å"accidental nature† of Clarence ‘s narrative despite it being a dream. Could this dream in fact be a message straight from Clarence ‘s subconscious trying to warn him of his impending decease? We could in fact read this transition as Shakespeare trying to show a sixteenth century equivalent to Freud ‘s construct of the subconscious head. The audience is now to the full anticipating the impending decease of Clarence, and the incapacitated audience is forced to sympathize with him and get down to contemn Richard. The experience of this scene could be summed up by a quotation mark from critic Charles Barber, who believes â€Å"Clarence ‘s incredulity in his ain dream creates the feeling that Rich ard ‘s immorality is excessively monstrous for those around him to accept or conceive of, and therefore it amplifies our horror of Richard.† [ [ 2 ] ] The antecedently mentioned construct of Shakespeare meaning to demo the workings of Clarence ‘s subconscious is besides fascinating as it demonstrates a sample of a theory that was non to go popularly recognised for 100s of old ages. This element adds deepness and verisimilitude to the drama and besides adds to our hatred for Richard. Freud describes the unconscious head as â€Å"a reservoir of feelings, ideas, impulses, and memories that are outside of our witting awareness.† [ [ 3 ] ] It would look that these feelings are more perceptive in some ways than Clarence ‘s witting 1s. Somehow Clarence ‘s unconscious has picked up more about Richard ‘s character than his witting head. This poses an interesting inquiry, even to a modern audience, about the antic complexness of our heads. An audience who embraces this reading is likely to happen this idea provoking and be intellectually stimulated by this construct. If we take this transition to intend that th at Clarence ‘s unconscious head is seeking to state him something, so we besides read that his witting head is disregarding it for non merely does he presume his dreamed decease was an accident, but he subsequently goes on to province how his brother â€Å"loves me dear† and says to the liquidators ( hired by Richard ) that â€Å"if you be hired for meed, travel back once more, And I will direct you to my brother Gloucester, Who shall honor you better for my life.† [ [ 4 ] ] Clarence ‘s refusal to move upon this portents and moreover disregard his ain ego is important in demoing the power and use Richard is capable of. When the audience listens to Clarence ‘s history of his dream, the transition should render as extremely important as it foreshadows many of the events yet to come in the drama. When Clarence begins to submerge this is in fact an eerie prefiguration of his eventual decease, and more specifically submerging minutes subsequently in the scene. One critic has besides read this dream as besides boding the nightmare Richard himself experiences prior to the conflict of Bosworth in Act V scene V. [ [ 4b ] ] There is much boding throughout the drama, such as when Queen Margaret, a enchantress like character, is introduced. Queen Margaret begins to state curst prognostications as a acrimonious effort to revenge all of those who have antecedently wronged her. It is besides interesting to observe that through this transition, Shakespeare has included a subject that was popular amongst Renaissance literature, whereby earthly wealth is shown in apposition with human mortality. [ [ 4c ] ] This was a common concern among authors of the clip as earthly wealth ‘s value was questioned in many ways because of the realization that we can non purchase â€Å"life† and wealth will intend nil in the hereafter. While absorbing the address, we notice that there are infinite images in this transition that barrage us with this subject. The lost hoarded wealths are described to a great extent and often such as the â€Å"wedges of gold, great ground tackles, tonss of pearl, incomputable rocks, and unappreciated jewels.† However it becomes clearer why Shakespeare has made a point of making this when we consider this subject of human mortality versus earthly wealth. When we so go on to see â€Å"Some [ gems ] ballad in dead work forces â⠂¬Ëœs skulls, and in the holes Where eyes did one time inhabit† decease and wealth are non merely in apposition, they are basically merged as one. The manner the gems have been incorporated into the oculus sockets of the skull makes the apposition even more dramatic as they about seem as one entity because of the manner we associate the gems as eyes slotting into the sockets of a skull. This transition is besides important in the manner it introduces the motive of the Gothic into the drama. Clarence ‘s dream sequence accompanied with the eerie cursing of Queen Margaret subsequently in the drama, are both scenes which contribute to the Gothic elements of this drama through mentions to the supernatural and the unknown, and minutes of horror. Horror as a literary term can be described as â€Å"The feeling of repugnance that normally occurs after something terrorization is seen, heard, or otherwise experienced.† [ [ 5 ] ] We see horror in the transition when Clarence describes in item the scenes of the underworld and the nature of his painful drowning. Clarence explains â€Å"what pain it was to submerge, What awful noise of Waterss in my ears, What sights of ugly decease within my eyes.† This dramatic address forces the audience to get down to see the submerging themselves as Clarence uses powerful imagery such as the H2O in his ears and the hurting that he experienced. Furthermore the grotesque and macabre images of â€Å"a thousand work forces that fishes gnawed upon† besides help to dismay the audience. Supernatural elements that besides contribute to the Gothic feel of the drama are seen in another subsequent prognostication manner dream of Clarence ‘s where he sees the shade of Prince Edward, a Lancastrian whom Clarence had helped to kill. Edward begins to cuss Clarence as liquors begin to drag him below to the underworld. After analyzing Clarence ‘s dream in Act I scene IV, it can be concluded that Shakespeare has employed a scope of literary techniques and thoughts that help to reenforce and present of import subjects that permeate the full drama. Techniques such as dramatic sarcasm encourages us to appreciate the immorality of Richard, and the inclusion of a subconscious aid add deepness and machination to the drama. Furthermore the transition is a utile penetration into the drama as a whole through the debut of other of import subjects and issues of the twenty-four hours such as horror, the supernatural, and the apposition of earthly wealth and human mortality. Bibliography Barber Charles, Notes on Richard III, ( London, Longman, 1999 ) Devendra, Varma The Gothic Flame, ( New York: Russell and Russell, 1966 ) Radcliffe, Ann On the Supernatural in Poetry, Exert taken from New Monthly Magazine vol.16 No.1 hypertext transfer protocol: //www.litgothic.com/Texts/radcliffe_sup.pdf [ 22.4.09 ] Shakespeare, William, Richard III, ( London, The Arden Shakespeare, 2006 ) Strachey, James ( Trans. ) , ed. Anna Freud, The Necessities of Psychoanalysis, ( London: Vintage Books, 2005. ) [ [ 1 ] ] William Shakespeare, Richard III, ( London, The Arden Shakespeare, 2006 ) I.IV.19-20 [ [ 2 ] ] Charles Barber, Notes on Richard III, ( London, Longman,1999 ) p.75 [ [ 3 ] ] James Strachey ( Trans. ) , ed. Anna Freud, The Necessities of Psychoanalysis, ‘the unconscious ‘ ( London: Vintage Books, 2005. ) p.46 [ [ 4 ] ] William Shakespeare, Richard III, ( London, The Arden Shakespeare, 2006 ) I.IV 217-218 p.183 [ [ 4b ] ] Barber Charles, Notes on Richard III, ( London, Longman, 1999 ) p.96 [ [ 4c ] ] Ibid. [ [ 5 ] ] Varma Devendra, The Gothic Flame, ( New York: Russell and Russell, 1966 ) p.17 How to cite Richard III, Essay examples

Thousand Dollars ($100,000) For Any One Agreement Year. Essays

thousand dollars ($100,000) for any one Agreement Year. If the amount due to the Company for the Reinsurers' liability hereunder is in excess of fifty thousand dollars ($50,000), the Reinsurers will, upon receipt of proof of loss, remit the amount due within ten (10) working days. ARTICLE VII ? OFFSET The Company or the Reinsurer shall have, and may exercise at any time and from time to time, the right to offset any balance or balances, whether on account of premiums or on account of losses or otherwise, due from one party to the other under the terms of this Agreement. ARTICLE VII - CASH CALLS A. In the event a negative balance results in any one month (claims exceed premiums collected), and/or in the event the claims fund (if any) is depleted, the Company may make an immediate cash call upon the Reinsurer. The Reinsurer agrees to make payment to the Company within five (5) business days after the Reinsurer's receipt of the cash call. B. The Company may also make an immediate cash call upon the Reinsurer in the event the Company is presented with any single claim in excess of the then current balance of the claims fund, regardless of when the claim is presented to the Company. The Reinsurer agrees to make payment to the Company within five (5) business days after the claim has been reviewed and approved by the Company and/or the Reinsurer. ARTICLE VII ? TERRITORY This Agreement shall only apply to policies issued to insured's domiciled in the United States, its territories and possessions. ARTICLE VII? ERRORS AND OMISSIONS Inadvertent delays, errors or omissions made in connection with this Agreement or any transaction hereunder shall not relieve either party from any liability which would have attached had such delay, error or omission not occurred, provided always that such delay, error or omission will be rectified as soon as possible after discovery. ARTICLE VII? ACCESS TO RECORDS The Reinsurer and the Company, or its duly appointed representatives, shall have the right at any reasonable time to examine all records in the possession of the Companyeach other and/or the Manager referring to business effected hereunder. ARTICLE VII ? SERVICE OF SUIT (Applicable if the Reinsurer is not domiciled in the United States of America and/or is not authorized in any state, territory, or district of the United States where authorization is required by insurance regulatory authorities.) 1. 1. It is agreed that in the event the Reinsurer fails to pay any amount claimed to be due hereunder, the Reinsurer, at the request of the Company, will submit to the jurisdiction of any court of competent jurisdiction within the United States. Nothing in this Article constitutes or should be understood to constitute a waiver of the Reinsurer's rights to commence an action in any court of competent jurisdiction in the United States, to remove an action to a United States District Court, or seek a transfer of a case to another court as permitted by the laws of the United States or of any state of the United States. 2. 2. Further, pursuant to any statute or regulation of any state, territory, or district of the United States which makes provision therefore, the Reinsurer hereby designates the Superintendent, Commissioner, or Director of Insurance, or any other officer specified for that purpose in the statute, or his successor or successors in office, as its true and lawful attorney upon whom may be served any lawful process in any action, suit, or proceeding instituted by or on behalf of the Company or any beneficiary hereunder arising out of this Agreement. ARTICLE VII ? INSOLVENCY Company Insolvency In the event of the insolvency of the Company, this reinsurance shall be payable directly to the Company, or to its liquidator, receiver, conservator or statutory successor immediately upon demand, with reasonable provision for verification, on the basis of the liability of the Company without diminution because of the insolvency of the Company or because the liquidator, receiver, conservator or statutory successor of the Company has failed to pay all or a portion of any claim. It is agreed, however, that the liquidator, receiver, conservator or statutory successor of the Company shall give written notice to the Reinsurers of the pendency of a claim against the Company indicating the policy or

50 Idioms About Talking

50 Idioms About Talking 50 Idioms About Talking 50 Idioms About Talking By Mark Nichol Last week, I offered a roster of synonyms for talk and talking. This list expands on that theme by offering set phrases about talking and their meaning: 1. Beat (one’s) gums: to speak excessively and aimlessly 2. Bull session: a rambling group conversation 3. Chew the fat: to chat 4. Chew the rag: to chat 5. Diarrhea of the mouth: excessive talking 6. Dish out: to deliver critical comments 7. Flap (one’s) lips: see â€Å"beat (one’s) gums† 8. Gift of gab: a propensity for talking 9. (One) likes hear (oneself) talk: said of someone who is egotistical 10. Like talking to a brick wall: said of trying unsuccessfully to persuade or reason with someone 11. Run off at the mouth: see â€Å"beat (one’s) gums† 12. Shoot the breeze: to chat 13. Shoot the bull: to chat 14. Shoot the shit: to chat 15. Spill the beans: to divulge information, or to confess (see confess) 16. Speak out of turn: to say something inappropriate 17. Speak the same language: to be in agreement 18. Spit it out: to speak about something one is reluctant to discuss often used as an imperative 19. Talk a blue streak: to talk quickly and excessively 20. Talk a mile a minute: to speak rapidly 21. Talk around: to avoid (a subject) 22. Talk big: to brag 23. Talk dirty: to try to stimulate someone sexually by speaking provocatively 24. Talk (someone) down: to outdebate someone, guide someone through a difficult maneuver (especially a pilot flying a plane), or to successfully bargain for a better price 25. Talk down to: to speak condescendingly 26. Talk (one’s) ear off: to talk to someone excessively 27. Talk (one’s) head off: to talk excessively 28. Talk in circles: to speak in a confusing or indirect manner 29. Talk in riddles: to speak obscurely or with hints 30. Talk (one) into: to persuade someone 31. Talk on: to continue to speak, or to speak on a certain topic 32. Talk (oneself) out: to speak to the point of exhaustion 33. Talk (one) out of: to dissuade someone 34. Talk out of both sides of (one’s) mouth: to speak inconsistently about something depending on who one is talking to 35. Talk (something) out: to talk about something to reach a consensus or understanding 36. Talk (something) over: see â€Å"talk (something) out† 37. Talk sense: to speak reasonably 38. Talk shop: to speak about work-related issues outside the work environment 39. Talk some sense into: to talk to someone to persuade them to see reason 40. Talk the talk: to speak as if one is an authority or adheres to certain beliefs or values 41. Talk the talk and walk the walk: to act in accord with one’s stated beliefs or values 42. Talk through: to talk about something thoroughly to achieve a resolution 43. Talk through one’s hat: to speak insincerely, to talk nonsense, or to exaggerate 44. Talk to hear (one’s) own voice: to talk excessively, in an egotistical manner 45. Talk tough: to speak in an intimidating manner, or to bluster 46. Talk turkey: to speak frankly and/or with resolve 47. Talk until (one) is blue in the face: to speak exhaustively, especially in an unsuccessful effort to persuade 48. Talk (something) up: to promote something to draw attention to it 49. Talk (one’s) way out of: to say something so as to evade blame or avoid responsibility 50: You should talk: an admonition to avoid expressing oneself hypocritically Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Vocabulary category, check our popular posts, or choose a related post below:70 Idioms with Heart50 Diminutive Suffixes (and a Cute Little Prefix)The "Pied" in The Pied Piper

5 Hacks to Improve Your Home Office Productivity

5 Hacks to Improve Your Home Office Productivity The experts at GlassDoor.com have put together a list of suggestions to improve your working-from-home productivity! The independence is priceless but the distractions are endless- these tips will help you make the most out of working from the couch or coffee shop in your sweats.1. Have an Office SpaceThe couch is your enemy when youre working from home. No, hear me out! The couch is where you watch TV, read, snooze, cuddle with loved ones, put your feet up. Your brain is wired to unspool when you feel its comfy embrace.Even if its just a basic dining room chair and a laptop desk, try to carve out a dedicated office space in your home. My husband and I each have ownership of a corner of the living room, and I rearrange my desk and bookcase configuration every 6 months or so to keep it fresh since I get tired of staring at the same walls all day.2. Schedule Your Work WeekThis one has been huge for me as I start a full-time freelance and teaching  schedule- I have to plot out deadlin es for my classes and fit freelance writing and editing projects in around those. If I dont know whats coming, I wont know when I need to pull a late night and when its okay to knock off early.Every week, take a few minutes to plan ahead- its vital time well-spent that will save you stress and scrambling down the line.3. Have a Regular RoutineThe beauty of working at home is that if I wanted, I could work from noon to 8 p.m. and lounge around every morning. But  Ive found that while I am the worlds crankiest morning person, getting up early, walking the dog, having breakfast and coffee, working diligently from 8 a.m. to 1 p.m., and then doing smaller, less demanding projects in the afternoon hours is the way to go.Come up with some rituals that replace the morning commute (mine is an extra long shower), and reward yourself with a trip to the kitchen or the corner store when youve accomplished your goals for the day.4. Know Your MotivationThere is something about noise-canceling he adphones that immediately puts me in a ready-to-work mindset. Even if the apartment is quiet, confining my senses to my immediate surroundings helps me zero in on the work at hand.Figure out what motivates you to buckle down. Is it consistency? Variety? Do you need a different coffee shop table every day of the week or are you better off wearing a groove in your home office floor from sitting in the same spot?5. Get in a Working MindsetA tricky part about the omnipresence of Gchat or texting when you work from home is that you can actually stay just as connected to your friends at work as you could when you shared office space. Sometimes my husband works from home and I wind up relocating to the bedroom because Ive gotten so used to the empty space around me.Figure out how to filter out the distractions that might derail you- and remember, you are the only one responsible for getting your work done! Be gentle with yourself as you adjust, be realistic about what you can take on, and dont be afraid to draw firm work-life boundaries. Just because your home office is right next to your couch station is no reason you have to be on call 24/7!And truthfully, working from home isnt for everyone. There are likely co-working spaces near you where you can set up shop on a weekly or monthly basis if you find you need a background hum of things happening.